Out of Focus
(See also: Sahara)

Out of Focus

 

| Discography

Wake Up (1970)
Out of Focus (1971)
Four Letter Monday Afternoon (1972)
Not Too Late (1974)
Rat Roads (2002)

| More Info

Out of Focus page
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| Profile

County Of Origin: Germany
Established: 1969

Styles: Krautrock


| Reviews

Out of Focus (1971)Out of Focus (1971)

While often overshadowed by many of their deservedly lauded contemporaries, Out of Focus were actually among the very finest German groups of the 70s. Drawing heavily from both jazz and psychedelic rock, Out of Focus created a uniquely powerful, fluid sound that focused on extended jams, featuring acid-laced organ, guitar and flute. Band like Embryo and Kraan (particularly on their first album) come to mind as comparisons, as well as, most obviously, Soft Machine, but Out of Focus certainly retained a distinct style, particularly by way of the lilting flute prominence. While the band’s peak was undoubtedly achieved on their third release, the masterful double album Four Letter Monday Afternoon, their second, self-titled release is certainly a very solid stepping stone to that landmark recording. - Greg Northrup [March 2003]

Click Here for Tracklist and Lineup Info




Rat Roads (2002)Rat Roads (1972)
[CD - Garden of Delights CD 064 - 2002]

Once again, Germany’s Garden of Delights uncovers another in a series of appreciated archival recordings from the legendary underground German rock scene of the 70s. Rat Roads marks the second such release from the seminal jazz-rock combo Out of Focus, hot on the heels of the Not Too Late set from a few years back. With that said, Rat Roads is by no means second-tier in comparison, either to the previous archival set, or to the band’s classic studio recordings. All of the music on Rat Roads is drawn from the same studio session that produced what is quite possibly the group’s most enduring recording, the expansive double album Four Letter Monday Afternoon.

By the time the listener is immersed in the blazing organ and fiery brass of the second track here, "Table Talk," it’s clear that these pieces were not left off the original album for lack of quality, but for lack of space. The studio sessions that produced Four Letter Monday Afternoon were held at a lakeside residence in the German countryside, without a producer, and with a virtual carte blanche in terms of creative freedom from their record company. It’s quite telling that the inspiration and ideas of the group were so abundant at the time that not even a double album was able to document them in full. As such, Rat Roads serves as an essential compliment to that classic album. Indeed, the sound quality here is impeccable, and, more importantly, the performance and composition is energetic and inspired. While there are more vocals on a few of the tunes than would perhaps be necessary, particularly given the distracting accent of the singer, Rat Roads is nevertheless an important document; showcasing one of Germany’s finest progressive rock bands at the apex of its creativity. - Greg Northrup [March 2003]

Click Here for Tracklist and Lineup Info


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