Karda Estra
(See also: Steve Hackett)

Out of Focus

 

| Discography

A Winter In Summertime (1998)
Thirteen From The Twenty First (2000)
The Land Of Ghosts [compilation] (2000)
Eve (2001)
The Land Of Ghosts 2 [compilation] (2002)
[Artemiey Artemiev & Karda Estra] Equilibrium (2002)
Constellations (2003)

| More Info
| Profile

County Of Origin: UK
Established: 1998

Styles: Symphonic


| Reviews

Out of Focus (1971)Eve (2001)
[CD - Cyclops Records Cycl 104 - 2001]


Karda Estra is the work of one Richard Wileman, composer and multi-instrumentalist, aided by a supporting cast of characters on strings, woodwinds and voice. Eve, the group's third full-length release, was inspired by the short novel The Future Eve, written in 1886 by Villiers de L'Isle Adam. Rather than a strict adaptation of the work, Eve serves more as Wileman's attempt to "explore the work's atmosphere, tragedy and sense of misguided ambition." With this in mind, it's clear that he has succeeded in his intent.

Karda Estra's music has more in common with a small chamber orchestra rather than a rock band, a trait clearly noticeable in the ability to craft subtle works with great thematic movement. It seems that a good portion of the group's sound is a unique influence of romantic classicism filtered through the progressive likes of Anthony Phillips and Steve Hackett. Indeed, elements of the guitarists' debut albums (Geese and the Ghost and Voyage of the Acolyte, respectively) bear similarities in the work of Karda Estra; the lithe sentiment and occasional Edwardian flourish of one, and the searching, ominous mysticism of the other. Wileman's acoustic guitar work is often the backbone of the pieces, creating a solid reinforcement for the intricate layers weaved upon it. The symphonic quality of the work is prevalent in the large roll played by strings and winds, yet there is a restrained quality which often reflects a delicate melancholy. Haunting oboe passages dance with angelic vocalizations while lilting piano melodies give way to ascendant string flourishes.

In this current musical climate of rehashing and regurgitation, it's refreshing to stumble upon something that seems to exist on a different plane, and Karda Estra's take on impressionistic orchestration is just that. Encompassing the dynamic range from delicate to dissonant, Eve succeeds admirably in painting the beautiful, yearning Victorian atmosphere of its chosen subject. - Mike Prete [May 2003]

Click Here for Tracklist and Lineup Info




Rat Roads (2002)Constellations (2003)
[CD - Cyclops Records Cycl 130 - 2003]

Kadra Estra’s most recent release, Constellations, is a clear departure from the neo-prog and AOR generally propogated by its label, Cyclops. Indeed, the group (essentially one Richard Wileman) crafts what is actually a very unique sound. With minimal percussion and grandiose, arching melodies, Karda Estra play a sort of chamber symphonic rock, though the “rock” part of the equation is certainly the least emphasized. This is not a bad thing however, as the music takes on a full, cinematic quality, like that of a particularly brooding film soundtrack.

The varied instrumentation and diverse influences keep things from being campy, as oboe, violin and cello coalesce with Hackett-like guitar lines and layers of tasteful synths in carefully executed, moody themes. As well, there is enough variation between the pieces to keep things from becoming redundant. While most of the music takes its cues from heavily melodic symphonic prog, particularly the solo work of Steve Hackett and perhaps Anthony Phillips, my favorite piece is probably “Hydra,” with darker, sinister themes that stand in contrast to the rest of the record, and chromatic playing that reminds of latter-day Art Zoyd. “Cassiopeia” follows that with an exotic oboe melody that would fit well on one of the classic Between records, and “Scorpio,” another highlight, features a great mid-section, with another stunning oboe theme over a relatively up-tempo, waltzing rhythm. Of interest to Hackett fans is a well executed cover of “Twice Around the Sun” (from the Darktown album), which closes out the album.

Another pleasant surprise was the female vocals, sounding not unlike the “Northettes” from the Hatfield albums. Of course, the context is entirely different here, but the vocals nonetheless provide some wonderful, ethereal textures. The only real caveat with Constellations is that the album may tend to fall into the background without attentive listening, but otherwise, this is a strong release. - Greg Northrup [April 2003]

Click Here for Tracklist and Lineup Info


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