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Alex Temple
Alex, after a gig with his Dagmar Krause tribute
band Contact Info:
Last Updated: October 2001 By the time I turned 15, I was already very interested in classical music, particularly of the 20th century. I thought rock music was something inferior and never bothered to listen to it. Then I heard the Beatles' "Strawberry Fields Forever." Wow. A few months later, my father introduced me to the Mothers of Invention, and I developed an interest in 60s rock fairly quickly. In the spring of 1999, I discovered Neutral Milk Hotel and the Olivia Tremor Control, bands who resurrected the sounds of the 60s in the context of experimental indie rock. I started delving deeper and deeper into the 90s underground, until a Google search for "no commercial potential" revealed a radio playlist consisting entirely of bands I'd never heard of. I downloaded mp3s by every band on the list, and was struck by the originality of an obscure band called Thinking Plague... The rest, as they say, is history. Web-searches for Thinking Plague led me to the rec.music.progressive FAQ, and the members of that group immediately directed me towards bands like 5uu's and Biota. Once I discovered RIO and its derivatives, the classical me and the rock me no longer felt like two different people. I've since become a frequent poster on r.m.p and an (even more) obsessive record collector, and I'm happy to say that I still have an enormous world of music to explore. (Wow, that was cheesy :) So, no, I didn't take the
usual "Rush and Pink Floyd" route. I have never liked symphonic
prog, unless you count Gentle Giant. As I see it, my mission as
a reviewer is to bring to progweed.net the avant-garde slant that I
feel is missing, as well as to bring some excellent and creative bands
that don't normally get classified as "prog" to the attention of progressive
rock fans. In other words, traditional symph fans shouldn't bother
with my reviews. I listen to music that will scare you :)
Favorite albums: Changes daily. :)
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